Heerz Tooya
ARV.I

Love Terins
Sing into my mouth

27.08. – 18.09.2022
  • Missing alternative text
    Sing into my mouth, 2022 Installation view
  • Missing alternative text
    Market Dress, 2022 200×110cm / Acryl and egg tempera on canvas
  • Missing alternative text
    Sing into my mouth, 2022 Installation view
  • Missing alternative text
    Tcherga Tounge, 2022 Acryl and egg tempera on canvas 60×50cm
  • Missing alternative text
    Phthalo Fence, 2022 Acryl and egg tempera on canvas 60×50cm
  • Missing alternative text
    Sing into my mouth, 2022 Installation view
  • Missing alternative text
    Plum Wedge, 2022 Acryl and egg tempera on canvas 60×50cm
  • Missing alternative text
    Inter Ceiling, 2022 Acryl and egg tempera on canvas 200×110cm
  • Missing alternative text
    Inter Ceiling, 2022 Acryl and egg tempera on canvas 200×110cm
  • Missing alternative text
    Maystora Sidewalk, 2022 Acryl and egg tempera on canvas 60×50cm
  • Missing alternative text
    Maystora Sidewalk, 2022 Acryl and egg tempera on canvas 60×50cm

Numb cottagecore superimposed by slithering and intermittent abstractions. At first glimpse, Terins's paintings seem to have frizzled through a geometric equalizer. Then, at a second glance, realize the dialectics of the organic, structural, floating, delicate, and strict patterns do not follow mechanical rendering of familiar forms. Terins merge the phantasmagorical with the corporeal, unveiling a phoenix of pandemonial beauty. Combining field documentation of intricate moments during her stay in the Bulgarian countryside with a prior trained eye for detailed habitat, the exhibition Sing into my mouth unfolds an attitude of painting, stratified as the starting point of aesthetical experience. Segueing the gravitas of painting to the point of arioso. Thus, painting allows its creator and spectator to weave the fabric of reality as an act of imagination.

The exhibition title Sing into my mouth is a line from the song This Must Be the Place (Naive Melody), in which the Talking Heads also used found-object percussions with a wine bottle, ashtrays, a cocktail shaker, a candleholder, and a milk jug, accompanying the lyrical sentiment of ambiguity and fragmented loss of sensation. Gagging on the reverberations of someone singing into one's mouth analogically spurs the question of dictation. Derived from meaning and objecthood emerges the infinite potential of interpretation and momentum. A self-inflicted gagball meant for something else. - Lars Nordby

Love Terins (b. 1993, Sweden) currently lives and works in Oslo, Norway. She holds a BFA from the Oslo National Academy of Arts in Norway (2018). Terins exhibitions include Fra Bygd til By in Fyresdal/Oslo, Norway (2022); Painting Today at QB Gallery, Oslo, Norway (2022); Pergola at Gallery LNM in Oslo, Norway (2021); OFF THE WALL at KÖSK in Oslo, Norway (2021); GIFC/Velvet Ropes at Galleri Golsa in Oslo, Norway (2019); and Class mates at Galleri Rostrum in Malmö, Sweden (2015). www.loveterins.com

The exhibition is supported under the "Program for the Restoration and Development of Private Cultural Organizations" of the National Fund for Culture, Bulgaria. Tequila Bar Fnky Mnky also supports the exhibition.

Изложбата се осъществява с подкрепата на Tequila Bar Fnky Mnky. Изложбата е финансирана по "Програма за възстановяване и развитие на частни културни организации" на Национален Фонд Култура.

  • Национален Фонд „Култура“
  • Veliko Tarnovo
  • Tequila Bar Fnky Mnky