Heerz Tooya
ARV.I

Olve Fjeld-Eiken
Blomstene og Fluene

27.06.2026
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    Blomstene og Fluene 2026 Installation view / Clocktower Vishovgrad
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    Blomstene og Fluene 2026 Installation view / Clocktower Vishovgrad
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    Blomstene og Fluene 2026 Installation view / Clocktower Vishovgrad
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    Blomstene og Fluene 2026 Installation view / Clocktower Vishovgrad
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    Blomstene og Fluene 2026 Installation view / Clocktower Vishovgrad
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    Blomstene og Fluene 2026 Installation view / Clocktower Vishovgrad
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    Blomstene og Fluene 2026 Installation view / Clocktower Vishovgrad
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    Blomstene og Fluene 2026 Installation view / Clocktower Vishovgrad
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    Blomstene og Fluene 2026 Installation view / Clocktower Vishovgrad
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    Blomstene og Fluene 2026 Installation view / Clocktower Vishovgrad
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    Blomstene og Fluene 2026 Installation view / Clocktower Vishovgrad
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    Blomstene og Fluene 2026 Installation view / Clocktower Vishovgrad
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    Blomstene og Fluene 2026 Installation view / Clocktower Vishovgrad
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    Blomstene og Fluene 2026 Installation view / Clocktower Vishovgrad
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    Blomstene og Fluene 2026 Installation view / Clocktower Vishovgrad
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    Blomstene og Fluene 2026 Installation view / Clocktower Vishovgrad
  • Missing alternative text
    Blomstene og Fluene 2026 Installation view / Clocktower Vishovgrad

Every flower is a reproductive structure pretending to be decoration. until

the action of fresh water on the gently inclined perennial pulse

each leaf like a runway for a fly every ten feet, it crawls, grasping for air hunted, wounded, tainted spun by a doctor’s choice

parabola antenna taller than trees are cut by the oldest pollinators

-Lars Nordby

Olve Fjeld-Eiken (b. 1997, Moss, Norway), working and based in Oslo, Norway. He holds a BA from the Oslo National Academy of the Arts in Norway, Vilnius Academy of Fine Arts, and Tokyo Geidai.